Howie the Rookie poster

Howie the Rookie poster

 

“IT’S been a good year for the Library Theatre, Manchester, with its Commonwealth Games season and 50th birthday celebrations. The highlight of this amazing 12 months of first-rate entertainment has to be Mark O’Rowe’s, Howie the Rookie. Irvine Welsh meets Quentin Tarantino in this gritty, graphic and raw slice of life from the dirty dives of Dublin. Coming from a very real tradition of story telling in Ireland the play takes the form of two highly energetic and sexually explicit monologues, in which just two actors play a myriad larger-than-life characters backed up by an occasional pumping soundtrack. It tells the story of a couple of unemployed, foul-mouthed, drunken misogynists in the form of psychotic The Howie Lee and his archenemy The Rookie Lee who “breaks hearts and hymens.” It is a tale of revenge and feuding with a scabby mattress at its heart! There is the 16 stone Avalanche in white ski-pants with “an arse enough for three barstools,” whose sexual appetite is insatiable. Plus the fat and sweaty Flann Dingle and Ginger Boy sporting “hair red enough to stop traffic,” driving like maniacs around the streets of Dublin in a green minivan. Not forgetting Puddin’ Boy, with Downs Syndrome, who packs a mighty punch from a height of six feet. Directed by Martin Harris, the Artistic Director of the seven-year-old Rocket Theatre whose leitmotif is “Play with Fire,” Howie the Rookie premiered at the Bush Theatre, London, in 1999 to critical acclaim and must now rank among the contemporary classics. This was definitely not theatre for the faint-hearted, yet it had an authenticity that was at once chilling and surprisingly tender. Told in coarse primal Dublin argot, this was blarney of a totally different kind, straight off the streets and aimed for your guts. A real triumph for the Library Theatre. If it ever comes round your way again, don’t miss it!” – MORNING STAR 2 Jan 2003
“Two-handers can fall at the first hurdle if both actors don’t give it their all. If one performer is stronger, the piece can be very unequal and unsatisfying. I’m pleased to say that’s not the case with Howie the Rookie, which boasts not one but two of the most exhilarating performances I’ve seen on stage in a long time. Padric McIntyre opens the first half of the play as loud, outspoken, brash, humorous hard nut – The Howie Lee. We learn about low life in the fast lane of modern Dublin. Fighting for survival in a world where only the strongest survive, five unforgettable characters take vivid shape through Howie’s hilarious monologues. The Rookie Lee (Graeme Hawley) launches Act Two with his tales of flatulence, gangland culture, family loyalty and his terrible dating experiences. What links these two characters is their lust for life on the edge and the shifting loyalties of their ragged gang. From the opening scene, James Anning’s superbly realised set, crowned with infested mattress and copious rubbish, drags the audience into the characters’ down-and-out world. It’s matched for ‘filth’ by Mark O’Rowe’s F-word strewn dialogue, which provides the platform for the audience to gasp as well as laugh and cry. The language is carried magnificently and naturally by two talented performers. McIntyre is perfect as the aggressive, protective leader of the pack. His in-yer-face role-swapping style leaves you with a lasting impression. Hawley, meanwhile, forces the audience to use all of their emotions, pushing them to overload with his convincing facial expressions and physical prowess. The fast-moving sub-plots and quick-fire exchanges keeps everyone on their toes. Each line is fired at the audience with on-target precision. And even if every high-octane anecdote contains a sad twist in the tail, the inevitability of it all doesn’t stop you from wishing for a more hopeful future for these two. Howie the Rookie is an energetic piece with plenty of substance beneath its lean exterior. Fast, funny, and full of life – minus the sugar coating”. – What’s On Stage (Glenn Meads) 29 August 2002.

“Rocket Theatre’s twenty first production is brutal, gritty and blackly funny. Praise to director Martin Harris and actors Padraic McIntyre and Graeme Hawley; this is one night out you won’t forget in a hurry”. – CITY LIFE (Steve Timms) 9 October 2002.
“This rare combination of a superb script married with excellent direction and first class performances marks yet another major success for the respected Rocket Theatre, which acknowledges the cooperation of the Library Theatre on this venture. This production certainly deserves a wider audience than its next small northern tour”. – THE STAGE (Natalie Anglesey) 5 September 2002

DIRECTOR:

Martin Harris

CAST:

Padriac McIntyre as Howie

Graeme Hawley as The Rookie Lee.

DATES / VENUES:

28th – 31st August 2002 / Library Theatre, Manchester.
20th September 2002 / Stanwix Arts Theatre, Carlisle, Cumbria.
27th September 2002 / Darwen Library Theatre.
9th October 2002 / Performance Centre, Ridge Danyers College, Marple.
10 – 12 October 2002 / Paupers Pit, Buxton.
17 October 2002 / Nuffield Theatre, Lancaster.
25th – 26th October 2002 / Crescent Theatre, Birmingham.

 

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